This afternoon i had a bit of free time after my FCPX workshop so i took a ferry out to Monhegan Island. It was gorgeous! I will be uploading photos from the excursion in the next few days, but first i would like to share a collection of images i took with my Nikon's automatic timer. I hiked out to a lovely spot with rocky cliffs and boulders and spent the afternoon there watching sea birds, listening to the ocean and making photographs. Being alone, i decided to set the Nikon's timer and do a few self studies. I timed the shutter to release in increments of ten seconds, then 20 and lastly one minute. I then moved freely not ever knowing exactly when the shutter would release (especially since i couldn't hear it over the crash of the waves). Let's not forget what a handy tool this is, certainly a wonderful way to document your experiences and consider self though the lens, but the best part, a patient subject always at your disposal...
Saturday, August 18, 2012
Friday, August 17, 2012
Jana's work in progress...
Spent yesterday and also spending today in the studio for some MUCH needed "me" creative time. Working on four/five collage + transfer pieces. Three are figurative and two are "flower" compositions. This work uses solvent transfer and collaged cut-outs from magazines - both historical and contemporary. I buy old magazines on eBay and newer ones from various sources. These reflect my fascination with our cultural ideas of "female". Here are a few snaps of one composition in progress.
Thursday, August 16, 2012
More of Angilee's Rockport, ME
DAY 3 // As I wandered down to
the pier in the evening, I found myself in a little gallery that was
just closing its doors for the day. I became immediately enthralled
with a collection of works by artist Cig Harvey.
Her photographs have a painterly quality reminiscent of the rich hues
of a vivid morning dream, and like a dream, her images resonate as a
fading imprint might, magically animated in a moment less real than
imagined. It's as if the stillness in each image magnifies the potential
of the moment she constructs. These works feel feminine and are layered
in metaphor. I found it easy to lose myself in them, or perhaps to be
more exact, find myself in them...
Tuesday, August 14, 2012
Angilee's Rockport, ME
DAY 1 & 2 // Driving
from Portland to Rockport, I pulled over to buy blueberries and local wild honey
from a stand next to the road. I was surprised by how the fragrant floral aroma
of the honey was inseparable from it's sweet flavor. Seemed I timed my arrival
just right as blueberries and lobster are both in season. This place
is a photographer's paradise of green lush vegetation and colorful flowers
scattered along the landscape and climbing out of brightly painted window
boxes. On my first
day here, the harbor was heavy with fog and summer rain. The light, heavily
diffused in slate gray, reminded me of my days in Scotland as a kid. Today on
the other hand, the sun was warm and cheerful and the previous days rain had
left the dewy landscape saturated in color. I attended two lectures tonight in
Rockport's old Opera house– by internationally acclaimed photo artists
Connie Imboden and Sylvia Plachy. Connie said that art is a way to express
complex emotions and both artists said they work from a place of intuition
rather than concept. I can relate to this method of work. For me, the concept
often reveals itself only after the creative work has taken place.
Tuesday, August 7, 2012
Lens, lens baby...
"The tilts, point of sharpness and breadth of shallow depth of field are unique to Lensbaby. Somehow this lens simultaneously references many of the camera formats I love--the playful and poetic qualities of plastic cameras, the distortion of a pinhole and the realm of ambiguity achievable through a view camera's bellows."
Saturday, August 4, 2012
Flash Tip #1
Most cameras, both SLR and point
and shoots have a built-in flash. It's great to have this option, but
often photos shot using the built-in flash don't look so great. It's
worthwhile to learn about these two separate variables– how to control
the intensity of the flash as well as the quality of the light emitted
from the flash.
The
light emitted from your flash is considered "raw" light which results
in hard shadows falling behind your subject. Raw light tends to pick up
and magnify texture – not so great if you're shooting a portrait. Most
glamor photography utilizes "soft" light. Soft light is created by
diffusing your light source. Diffusing simply means breaking up the
light wave by making it pass through a transparent material.
Try
putting something in front of your flash. A simple and inexpensive
trick is to place a piece of vellum, hand made rice paper or a thin
white silk or cotton over your flash. Experiment with your diffusion and
how many layers are needed to get the results you want. Keep in mind,
the more diffusion you put over your flash, the less intense the flash
becomes. If your image starts to look underexposed, go into your flash
setting and increase the intensity of your exposure or remove some of
the layers of diffusion.
Wednesday, August 1, 2012
Retro Phone Apps
In my last post, I mentioned Hipstamatic – an app that creates retro-style and lomo-style affects with camera phones. There are quite a few retro apps for smart phones. AppAdvice provides an overview of their favorite 12 retro iPhone apps, and CNET gives its take on the top 12 camera apps for Android, with Camera Zoom FX as a top pick. While I like Instagram's filters the best, the sharing feature is not my favorite. PictureShow is one of my favs because I don't have to share, and it offers a ton of filters – brightness, frame, color, and multi-lens. Using these apps you can make everyday moments look cool - like laptops and dog naps!
PictureShow/ Lens: Twin Lens, Frame: Old Fashion, No light leak, Noise: Scratch Hard, Vignette: +.3, No special effect, Color: Red +.3, Bright: +.2, Contrast: -.3 ( I also moved the camera during this one)
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